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Batelco's new brand identity

Brisbane's transformed brand identity

Friendster's transformed brand identity

Aol's transformed brand identity

Chicken Now's new brand identity

Telkom Indonesia's new brand identity

Telecom New Zealand's new brand identity

The end of design

The 9/11 Memorial brand identity

Opera's new icon

Crowdsourcing and the limits of advertising

Audi's brand transformation

Branding, identity and the marks of brand experience

Crowdsourcing puts design into perspective

Buell's new brand identity

Gent's new brand identity

Network Solutions' new brand identity

2012 London Olympics brand identity

Crowdsourcing and brands

Brand consultancy orientations

Why Brand is big

City of Melbourne's new identity

A new language for brand management

Design and the Parthian bow

Aether's new brand identity

Identifying the limits of design

Design Orientation and a new type of language

Design Thinking and Design Orientation

Brand recall and the mind

Union Bank's new brand identity

The role of logos in brand experiences

US Virgin Islands' new identity

Namics' new brand identity

Quicktime's icon development

Visceral Games – EA's new brand

Ally – GMAC bank's rebrand

Bing – Microsoft's new search engine

Copenhagen's new identity

San Francisco AIDS Foundation's new identity

Avid's new identity

Packard Bell's new identity

BBH Labs' crowdsourcing innovation

Ode to branding

The Symbian Foundation's new identity

Mexicana's new positioning strategy

General Motors' Total Confidence cutomer care program

Dick Smith's new identity

Apollo's new identity

Black and white brandmarks

Is crowdsourcing evil?

Air France's new identity

Kraft Foods' new identity

Tropicana's rebrand

Fiserv's new identity

Hotbox Studios' identity redesign

Corbis brandmark update

Logos versus brandmarks

Citroën's new identity

New York Philharmonic's new identity

MyFonts' new identity